Showing posts with label The Lit'ry Life. Show all posts
Showing posts with label The Lit'ry Life. Show all posts

Friday, February 12, 2010

On the eve of the Hunger Moon


The Indians had names for each month's full moon; to some this month is the Full Hunger Moon. Harsh weather conditions and heavy snow made hunting difficult. Supplies of The Three Sisters , dried for the winter, were dwindling.


It is different now in America. One can eat 24 hours a day if one has the money. Not necessarily well, if the number of obese children I see is any indication: that is another rant. Americans, with notable exceptions like the Donner party, those first winters in Jamestown and Plymouth, and certain Rebel cities during the Civil War have not had experience with the other side of plenty: scarcity. When I stumbled across Patience Gray's unique memoir, Honey From a Weed: Fasting and Feasting in Tuscany,Catalonia, The Cyclades and Apulia , it was a Zen smack in the head. Welcome to Stone Age and Bronze Age food ways, where "the supply of food is conditioned by the seasons".


Gray came to write this book when she and her companion The Sculptor (Norman Mommens), seeking marble, lived in the places of the title. Because they lived with not amongst Tuscans, Catalonians, etc. , they showed her what was available to eat in their rough countryside. These people read landscapes, not books. They showed Gray the good weeds, mushrooms, and shellfish, mostly. She was, after all, still an outsider. Gray includes many recipes amongst her flinty prose. There is even a recipe for fox. Pig ("winter saviour of mankind") recipes abound, and, being the countryside, 'everything but the squeal' is used. Gray recognized how 'doing without' increases the value of what one has; it is the basic idea of this unique and wonderful book.


*Photo from Persephone Books*

Tuesday, December 16, 2008

AB: "Long time no viddy".

A Dispatch from the “Open mouth, disengage brain” department: spotting someone I had not seen in a while on the transfer from the 747 chicken-bus to the terminal, I blurted “Long time no viddy, old droog”. The man seated next to me spun his head so fast it should have hurt. “Anthony Burgess? Clockwork Orange”? You betcha, right in one.

I discovered AB through the film version of that novel. Even back then, I read the credits. Intrigued, I read his other works, and found an author who continued to please, to intrigue, and to make me laugh until the end of his life. A bit of biblio-trivia: the novel, when published in the US, was truncated by one chapter. It had 21 chapters (21: age of adulthood, gedditgeddit?) when published in England; AB’s American editors, to lighten the ending of the novel they said, lopped off the last chapter. AB was furious, and when Kubrick filmed the novel from the American edition, Burgess washed his hands of the project.

The early American edition, truncation notwithstanding, did a very sneaky thing. There was no glossary for the NADSAT slang (read: Russian) so those words (droog, tolchock, kal, grachny brachny, etc.) wormed their way into our vocabulary through context and a bit of slow going in the early stages. My droogs and I had a slang our parents had no clue about. For someone like me, at that age getting caught in the web of words, it was a frabjous day indeed. The modern editions seen do have the glossary, making it ‘easier’ for the reader. I know it is fiction and all, but gee, the reader has to do some sort of work beyond just reading the novel.

AB took pleasure in pointing out the absurdities of daily life (“All illiterates will report to Room 2 for reading instruction” read the note on the Company bulletin board at his duty station on Gibraltar, relayed in the first volume of his autobiography, Little Wilson and Big God), always a good feature in a novelist. I miss him.

Tuesday, November 25, 2008

"From Hell's heart I stab at thee......"

I told Alan Cheuse, and now I'm telling you. Thomas Pynchon's lit'ry destiny is to become the Herman Melville of the 20th century. Melville was never a best seller, though he attracted attention with his "wicked book", Moby Dick. His publisher did not sell all 3,000 copies of the first printing. All of his work was out of print by 1876; Melville died in 1891.

Biographies of this obscure author began to appear in the 1920's. The "Melville Revival" was on. Even Lewis Mumford, an American historian of technology, penned a decent bio. Moby Dick contains a great deal of technical detail on whales, the hunting of them, and all aspects of whaler life, so I can see Mumford's attraction. I enjoy them as well.

This level of detail makesMoby Dick an 'encyclopedic' novel, just like Gravity's Rainbow, The Recognitions, Cryptonomicon (A 3-page essay on the proper way to eat Cap'n Crunch cereal,gotta love it!), and Soul Mountain. This style of novel is tricky to pull off, as too many tangents will lose the novel's forward motion. The success(or not)of the novel depends on the reader; if they throw it against the wall at p.26, it may be deemed a failure. Encyclopedic novels generally are not experimental; they just have a great deal of interesting (or not) information in them.

I have recently seen T Pynchon's latest novel, Against the Day, on the bargain/remainder pile at the local big box bookstore. It is the start of Pynchon's fade. Don't worry: his rep will enjoy a resurgence in the 2020's. You heard it here first.